Kelly Del Rosario (Project. B. Dancer) was born and raised in Mililani, Hawaii. His movement practice began with sports and the Brazilian martial art of Capoeira, then later focused his training in dance and received his BFA in Dance Performance at the University of Hawaii. He has worked with various Bay Area artists including Project.b, Margaret Jenkins Dance Company, Sarah Bush Dance Project, Robert Moses’ KIN, and RAWdance.

Allegra Bautista (Project. B. Dancer) is a San Francisco native. She trained at San Francisco Ballet, City Ballet School, and the SF Conservatory of Music Preparatory Division for classical guitar. She graduated from Saint Mary’s College of California earning a BA in Liberal & Civic Studies and Performing Arts: Dance. She is honored to have performed in the works of Garrett + Moulton Productions, Amy Seiwert, Kristin Damrow & Company, Alleluia Panis, RAWdance, Liss Fain Dance, Natasha Adorlee's Concept o4, and ka·nei·see | collective. She also currently dances with Margaret Jenkins Dance Company and is a certified yoga instructor.

Tristan Ching Hartmann (Project. B. Dancer) began her professional dance career in 1995 while pursuing her B.A. in English and M.A. in Education at Stanford University. Tristan danced with Robert Moses’ Kin for eleven years before retiring from the company to pursue a range of performance experiences including work with ZacchoDance Theatre, Sharp and Fine, Project B, RAWdance, Tango Fatale, the San Francisco Symphony, and the 2009 BRIT Awards in London.  Tristan taught classical and contemporary technique, phrase work, and creative writing at the San Francisco Conservatory of Dance and has been a guest teacher at the Lines Ballet Training Program, the training ground sf, and ODC.  Tristan most recently had the immense pleasure of dancing with the Margaret Jenkins Dance Company and currently works with Eli Shi and Project B. 

Anna Zheng is a Chinese-American director, deviser, and writer based in Brooklyn. They are interested in acts of adaptation—of stories, of bodies, to other people, to inhospitable environments—and the ways we change ourselves and our narratives to survive in new spaces and use playful interdisciplinary collaboration, adapted texts, and physical theatre to visceralize political realities and create unexpected, intimate, joyful messes. Recent projects: Dodoland (Tank Theater, CAN TUNA), Bane by London Carlisle (The PIT, reading); Mauzy by Derek Davidson (Assoc. Director, Off The Lane); a dance theatre interpretation of Constellations by Nick Payne; Three States of Matter, a devised, adaptation of Three Sisters about climate migration; and Man of God by Anna Moench. Anna is a current member of the New York Neo Futurists. 

Ellie Daley is an Oakland-based freelance dancer from Chicago, IL. She holds a BFA in Dance from the University of Iowa. 

Norma Fong began her training at Pacific Ballet Academy in Mountain View, CA. She is also trained in classical Chinese folk dance and performed with the Chinese Performing Arts of America. Norma graduated from California Institute of the Arts with a BFA in dance, performance, and choreography and went on to dance with Pasadena Dance Theatre. In San Francisco, she has had the opportunity to work with Shift>>> Physical Theater, Project B, Todd Eckert, Guangdong Modern Dance Company, Margaret Jenkins Dance Company, as a guest for ODC/Dance, and Robert Moses’ Kin, where she also served as the company’s rehearsal director. In 2017, Norma was awarded an Isadora Duncan Dance Award for her ensemble performance with Crystaldawn Bell in First Stab at Closure, choreographed by Todd Eckert. Norma is on faculty at ODC School, Buri Buri Elementary School, and Artist in Residence at Ruth Asawa School of the Arts. She has previously taught at Mills College and Alonzo King LINES Ballet BFA at Dominican University. 

Natalie Haruka Ewe is an Asian American actor and voice actor based in Dallas, Texas, specializing in youthful, bright, and authentic voices. She is passionate about bringing warmth and energy to every character she plays. Outside of voice acting, she enjoys writing, performing on stage, and exploring new creative projects. 

Kristen Cosby is a freelance writer, editor, educator and performer. Her work has received support from numerous artistic foundations including the Jan Michalski Foundation (Switzerland), the Corporation of Yaddo (USA), the MacDowell Artist Colony (USA), and the Virginia Center for the Creative Arts (USA). Her musings have appeared in several literary journals, magazines, and anthologies, and garnered the Normal Prize in Nonfiction and a Pushcart Prize special mention. Most recently she’s been telling stories on stage at the Marsh Theater, SF Playground, and as part of the Naked Truth, the Moth, Redwood Nights, Bawdy Stories, StageWerx’s Solo Sundays, and La Cocina’s Voices from the Kitchen. 

amara tabor-smith was born in unceded Ramaytush Ohlone territory/San Francisco, and currently lives in unceded Huichin Muwekma Ohlone territory/Oakland, CA. She is a choreographer, performance maker, cultural worker, community caregiver, and the artistic director of Deep Waters Dance Theater. Her interdisciplinary site-responsive and community specific performance making practice utilizes Yoruba Lukumi spiritual technologies to address issues of social and environmental justice, race, gender identity, and belonging in the Afro NOW. amara’s work is rooted in Black, queer, feminist principles that insist on liberation, joy, home fullness, and well-being. She is currently a teaching artist in residence at Stanford University.